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Soft Cell's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond in Leeds during 1977

Dave Ball, a key member of the groundbreaking 1980s synth-pop duo Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the duo achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their debut album Non-Stop Erotic Cabaret is considered a classic of electronic music.

He subsequently formed the innovative electronic act The Grid, who secured popular acclaim with their 1994 single the hit Swamp Thing.

Ball died calmly in his rest at his residence in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

At that show, Ball appeared in a mobility chair, as he had for the last two years, after a spate of health issues.

"I managed to damage myself significantly," he stated in 2023. "I broke spinal bones in my spine and cracked about five ribs and broke my arm."

Following catching a lung infection and developing sepsis, he was put in an induced coma and remained in hospital for half a year.

Nevertheless, he had been in "a great place mentally" over the warmer months, as he worked on a fresh record with Almond, titled Danceteria, which is set for publication in the coming year.

"He was concentrated and so happy with the latest project that we actually completed only a short time ago," stated the vocalist in a tribute.
"It's truly heartbreaking as next year was all set to be such an positive year for him, and I take some solace from the fact that he heard the finished record and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the forefront of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond referred to his collaborator as "a wonderfully brilliant creative mastermind", stating: "He was the core essence of Soft Cell and I'm very proud of our legacy.

"Many thanks Dave for being an significant aspect of my life and for the music you gave me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, remembering Ball's "constant humor" and "steadfast support".

"Forming a duo with someone is different from being in a group, the bond is incredibly close," he continued.
"That was the case with us. We went through so many extraordinary, incredible, life-affirming experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Formative Years

Born into a single-parent household in Chester in the late 50s, Ball was given up for adoption when he was a year and a half of age.

He grew up in the seaside town with his new family Donald and Brenda Ball, who altered his first name from Paul to his adopted name, together with his sibling Susan, who was also adopted.

He encountered Almond at Leeds Polytechnic in 1977, where they were both learning fine arts. Fuelled by a mutual passion of Northern Soul, they established Soft Cell the same year, and quickly recorded an extended play.

Creative Collaboration

The pair were an distinctive combination: Ball was the quiet musician, hunched over his synthesizer, while Almond was a charismatic showman, all glitter and makeup; but they attained a unique musical alchemy.

Ball had cultivated a fascination with electronic instruments after viewing the band Kraftwerk appear on BBC science show Tomorrow's World, and began to combine moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the UK's second most popular single of 1981, selling 21 million copies globally. Alongside hits by Gary Numan, Human League and Ultravox, it helped paved the path for the electronic music style of the 80s.

The track was also included on their full-length debut, Non-Stop Erotic Cabaret, which produced two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the separate release, Torch, which reached at number two in the following year.

Soft Cell in the studio
The pair were working on new material right up until Ball's death

Professional Journey

Success had its upsides. "I enjoyed being able to purchase my initial property, having financial security and travelling, which makes me sound like a Miss World," Ball recently shared with a publication.

But it also presented problems. "Sudden riches meant we could afford newfound drugs to alleviate the boredom" of media interviews and television shows, Ball said.

"I realize that's a common saying, but it's a cliché for a good reason, because it applies for so many musicians."

Amidst the hedonistic lifestyle, the duo were also drifting apart, but they succeeded to create a second memorable record - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They released one more LP, 1984's This Last Night In Sodom, before ending the band to concentrate on other projects.

Almond proceeded to have a successful solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with ambient pop over a long-lasting partnership.

Reunions and Final Projects

Soft Cell reunited in 2001, releasing the charting record Cruelty Without Beauty.

After another hiatus, they returned in recent years, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the O2 Arena on 30 September, that year.

However, they stayed together, creating their fifth album, Happiness Not Included, during the 2020 restrictions.

Ball lately described the duo's upcoming release as a tribute to the New York club scene they visited while recording their initial records.

He added that his time in medical care had shaped the band's sound.

"I experienced strange recollections when I was in and out of the hospital because I was on pain medication," he told a music magazine.
"Our latest tracks are a electronic representation of the noises in my mind from that time.
"In parallel, it's about the experiences me and Marc had in the 80s."

The final mixes were finished only days before Ball passed away. It is due for launch in Spring 2026.

DA
By

Daniel Armstrong

Eleanor Ashford is a literary scholar and editor specializing in modernist poetry and digital humanities.

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