That Floating Excrement Was Far Too Meaningful! It's the TV Letdowns of the Past Year.

Looking back, we reflect on the television landscape of the past year, a selection of shows stand out not for their excellence, but for their notable shortcomings. From awkward spin-offs to confusingly bad documentaries, here are the productions that had us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive spin-off? Burdened with woeful writing, cringe-inducing arcs (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show struggled to find its footing. For a moment, as the final series started, it looked like it had at last hit its stride. Then arrived an installment centered on Seema’s natural deodorant. No wonder the creator announced this would be the final season. It ended on a bum note; the closeup of Miranda’s toilet full of poo was simply too symbolic. Still, fans certainly found joy dissecting every single “what on earth?” moment. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t release a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was practically the least of this show's problems. The subject of a very rare zero star review, it was difficult to know where to start enumerating the problems. The hilariously leaden writing? The mind-numbing veneration of wealth and consumption? The seemingly wilful procession of tropes? Acting so poor they felt almost spiteful? Let’s just say “each and every one” and never speak of this series again. However, a second season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the restraining orders, abuse claims and fatherly failures, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d truly have gleaned it from this multi-part documentary which chuckled along at Sheen’s various episodes of reckless excess while failing to tell us a single thing we didn’t already know. Instead, it felt as if this volatile personality was being pandered to, so any sympathy this show might evoke should be saved for the people who have had to suffer close contact with this charming but dismissive egotist.

The Iris Affair

Naturally we understood it was preposterous from the outset: a drama about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of pure love for its stars … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ultimately slicing Charlie with an axe … in painfully slow-motion. That's what you call admitting defeat.

MobLand

Dodgy figures convening in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many look a bit dated now, but at least they didn’t endure the ignominy of having to accommodate baffling accents. But there were many other problems. Mainly that it was just profoundly boring; a dispute over drug-selling territory between various cockney picaresques which felt rather simplistic.

With Love, Meghan

Given the degree to which she provokes the ire of certain ostentatiously enraged commentators, it’s almost easy to admire the Duchess of Sussex’s televised ventures into twee lifestyle as deliberate provocations. But then you view them and are compelled to admit that in this case, they might have a point. It’s like watching a lifestyle catalogue animated; a meme for evening drinks with ideas of grandeur; a parade of sleeping dogs, buzzing beehives, Hallmark sayings and forgettable crafting “hacks” you’ll forget instantly. All supported by vast, largely unearned wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be said about both Victoria Beckham and her journey with vocation, self-image, self-worth. But for whatever reason, this documentary series opted not to say them. Instead, the experience was like consuming a marketing brochure. She obviously has every right to resent what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any helps with this cagey letdown of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even camper, with a famous star as a deceased benefactor and a well-known personality overseeing her inheritance. What more could you want? As players battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s even now too complicated to detail what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The show ended up reeking of a programme that was trying way too hard to emulate something way beyond it.

The Lena Dunham Romcom

How does one follow a show that defined a generation? The pressure was enormous for this starry romantic comedy about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The star took her biggest role by the horns and was a delight to watch, reveling in Austen levels of romantic ideals. But it was all very glossy and, ironically, was not enough. Plus, the abundance of celebrity cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not good enough to be ‘patchy’.

Given the shrewd recruitment of talented emerging comics, expectations were high. But unhappily, most of it fell flat. A particular sketch was a one-note joke stretched to a husk but recurring in every episode. One star seemed too willing to slip into a familiar ranting mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this was not it. The material needed to be treated sensitively. Rather, the series laboured awkwardly to find the right voice, lurching from strangely jaunty, slightly stylised farce to inevitably, real-life horror. Twisted? Arguably. A total mess? Absolutely.

Prime Target

We admire the star … but did we buy him playing the greatest maths genius since, a man so smart he’s on the verge of a discovery that could ruin society? Nope! This international thriller about secret services spying on – and killing off – academics frankly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the content creator renowned for sexual escapades as she undertook her most extreme challenge yet. What on earth would motivate her? What we craved was way more examination of her true psyche, plus those of the men in the line. They could at least have spoken to the now-famous mum who showed up to haul her son away from the queue. What we got was disturbing imagery and zero interrogation of her notoriety whatsoever. And to think, the documentary-maker has a young daughter too.

Daniel Armstrong
Daniel Armstrong

Eleanor Ashford is a literary scholar and editor specializing in modernist poetry and digital humanities.